1. The platters are constructed with stoneware slabs of clay pounded flat by hand, then placed in a large shallow bowl shaped mold to stiffen up.
2. The platters are then shaved down with a special tool, and painted with several layers of colored slip (clay) and set aside to stiffen up yet again. When the layers of slip have dried sufficiently, I use a pencil to carve drawings and patterns into the plate (front and back). Depending on the amount of pressure used, the drawings take on a different quality of line and color. The plates are wet-sanded and set aside to dry to be bisque fired.
3. I then remove the pieces from the kiln and begin the process of adding layers and layers of under-glazes (commercially formulated decorating colors) that help to construct the illusion of depth on the final product. The plates are painted on both sides, glazed lightly with a clear coat, and set on small "stilts" in the kiln for a second firing. The stilts allow the pieces to be fully decorated on both sides without sticking or melting onto the kiln shelves.
Finally! The finished pieces emerge from the kiln.







